Le jeudi 7 mars 10 h, Susan Douglas (University of Guelph) prononcera en anglais la conférence intitulée « Data-driven Repatriation, Images and Indigenous Cultural Property in Canada ». Cette présentation s’inscrit dans le cycle « Les arts autochtones et les institutions culturelles au Canada /Indigenous Arts and Cultural Institutions in Canada » du séminaire « Les arts autochtones et les institutions culturelles au Canada » (HAR915X) sous la responsabilité d’Édith-Anne Pageot (CRILCQ, UQAM).
En raison du mandat de grève voté par les étudiants, seule la conférence publique aura lieu le 7 mars 2019 et non le séminaire « Les arts autochtones et les instituions culturelles au Canada ».
La conférence est ouverte à tous et à toutes. Les étudiants et étudiantes du séminaire ne sont pas tenus.es d’y assister.
Biography
Susan Douglas’ expertise falls into three broad and integrated areas: art and crime, digital art history and Latin American art. She teaches courses on contemporary art and visual culture; visual and media communication; museum studies; public art; Latin American art; and crimes against art at the university of Guelph, focusing on museums, world art, art values, copyright, and art crimes. She has presented work at more than sixty conferences across the Americas, Europe and Africa. Her most recent publications are ‘Mexico at World Expositions and Fairs’, published in the Oxford Research Encyclopedia of Latin American History (Oxford University Press, 2018), and ‘Ethical Databases: Case Studies and Remaining Gaps in Cultural Heritage Information Sharing,’ in Alessandro Chechi and Marc-André Renold (eds), Cultural Heritage Law and Ethics: Mapping Recent Developments (Geneva: 2017). This paper and ‘Access to Loss Copyleft and the Protection of Visual Information,’ XXI Art Antiquity and Law (2016) represents a body of work linking global art to cultural heritage information sharing. Co-author of the Canadian edition of Practices of Looking: An Introduction to Visual Culture (with Marita Sturken and Lisa Cartwright; Oxford University Press), Dr Douglas has received funding and support from Social Sciences Humanities Research Council of Canada, the Ontario Arts Council, the Association for Research into Crimes against Art (ARCA), National Gallery of Canada and the British Academy among others.
